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LP
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SOAVE 033LP
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$36.50
PREORDER
RELEASE DATE: 3/6/2026
Notti Senza Fine is the second album by the post-avant-garde theater company Magazzini Criminali, released in 1983 on the independent label Riviera Records and now reissued for the first time by Soave Records in a very limited edition of 200 copies. This work breaks away from linearity and meaning, creating a dizzying collision of voices and sounds that blend theater, punk, and experimental elements. Through montage and collage techniques inspired by the visual arts and poets such as Antonin Artaud, the album explores a dense and layered soundscape. Composed by Federico Tiezzi, Sandro Lombardi, and Marion d'Amburgo, Notti Senza Fine uses sounds and fragments to create an experience that transcends conventional music. The song titles evoke geographical spaces without clear definition, while the sound textures, which include tribal percussion and synthesizers, intertwine without resolution. The album is a "meaningful object," a musical vehicle that challenges conventions and rejects institutional distribution channels, remaining a rarity appreciated by collectors for over forty years. The cover, designed by Mario Schifano, adds another layer of meaning to the work, making it a timeless sonic and visual experience.
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LP+CD
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SPITTLE 093LP
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Spittle Records present a reissue of Magazzini Criminali's Crollo Nervoso, originally released in 1980 on black or white vinyl by Italian Records. Magazzini Criminali can be considered one of the most important experiences in Italian post-avant-garde theatre of the '70s and the '80s. Back in 1980 the group gave birth to one their widely acclaimed and most representative works. Crollo Nervoso was a real post-modern opera, a complex and multi-layered work based on the transfer between different art languages and aesthetics. A deep mixture of avant rock, Burroughs's cut up, science fiction, body art, glamor, and a hint of porno. On stage actors move obsessively and creating some highly repetitive sequences that show a clear "rock" approach. Musically, you are in front of a great hybrid where electronics, tribal funk, ambient, and blues interact with actors excited voices and "stolen" fragments from the musical works of Eno, Fripp, Jon Hassell, Miles Davis, and others. More than a pre-plunderphonics kind of work, Crollo Nervoso is a definitive re-invention of the soundtrack concept in relation with text and drama. Crollo Nervoso stands as a unique sound-art object that finally sees the light again in all its multi-sensory eclecticism.
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